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Hermine Spies Coleman (South African, 1950 - ?)
Item 1 of 1
| Apocalyptic Ride | |
| Hermine Spies Coleman (South African, 1950 - ?) | |
| 89 | |
ZAR 5,000 -
ZAR 7,000 | |
| Oil on canvas | |
| Paintings | |
| 89 cm - 69 cm (35.04 in - 27.17 in) | |
inscribed with the artist's name and the title on the reverse | |
| Signed / Inscribed | |
| Signedin to unlock | |
| February Online Auction – Abstract | |
| Feb 05, 2023 | |
| Curate.A.Space (2021) Folds and Faults: An Exhibition of African Women Artists Examining Identity, Culture and Heritage, exhibition catalogue, Bloemfontein: University of the Free State, illustrated in colour on page 25. Staff Reporter (2019) 'Discomfort is the Key to Discovery', Natal Witness, 18 July, article about the exhibition at the Tatham Art Gallery. | |
| Johannes Stegmann Art Gallery, University of the Free State, Bloemfontein, Folds and Faults: An Exhibition of African Women Artists Examining Identity, Culture and Heritage, 18 August to 17 September 2021. Tatham Art Gallery, Pietermaritzburg, The Power of Loss and Gain, solo exhibition, 21 July to 15 September 2019, illustrated on the invitation to the opening of the exhibition. |
Apocalyptic Ride
89
ZAR 5,000 -
ZAR 7,000
Oil on canvas
Paintings
89 cm -
69 cm (35.04 in -
27.17 in)
inscribed with the artist's name and the title on the reverse
Signed / Inscribed
Feb 05, 2023
Curate.A.Space (2021) Folds and Faults: An Exhibition of African Women Artists Examining Identity, Culture and Heritage, exhibition catalogue, Bloemfontein: University of the Free State, illustrated in colour on page 25.
Staff Reporter (2019) 'Discomfort is the Key to Discovery', Natal Witness, 18 July, article about the exhibition at the Tatham Art Gallery.
Johannes Stegmann Art Gallery, University of the Free State, Bloemfontein, Folds and Faults: An Exhibition of African Women Artists Examining Identity, Culture and Heritage, 18 August to 17 September 2021.
Tatham Art Gallery, Pietermaritzburg, The Power of Loss and Gain, solo exhibition, 21 July to 15 September 2019, illustrated on the invitation to the opening of the exhibition.