Engraving 1642, the pair, by Hendrick Hondius, very good impressions of the second (final) and first state (of two) respectively, holl.94 with margins, holl.95 on paper with an unidentified watermark, trimmed just within platemark,
Woodcut 1509, a good impression, trimmed to or on borderline, just within in upper left corner, short repaired tear in lower edge, small nicks and thin spots at corners, other minor defects
Watercolor from the Large Passion, a proof before the text, a very good impression, though slipped in printing at extreme lower edge, on paper with a Name of Mary watermark
Woodcut from the Large Passion, proof before text, a very good impression, trimmed to or on borderline, with an unobtrusive central horizontal fold, rubbed area and worm holes in upper right corner, a thin spot in lower right corner, paper discoloured, laid down
Woodcut title-page of the Large Passion, proof before text, a very good impression, on paper with a Bull`s Head watermark (cf. M.66), with small margins above and below, trimmed circa 2mm within subject
Woodcut from the Large Passion, a very good impression, proof before text, trimmed to borderline, just on at centre left, two short tears at centre left and right edges
Woodcut from The Apocalypse, with title-page and eleven plates from the set of fifteen, m.163 a very good but trimmed impression from the Latin edition of 1511, others good, strong impressions after text,
Woodcut with title-page and thirty-four plates from the series of thirty-seven (lacking m.126 and 149), some proofs before text, others after text, many good to very good impressions, m.125 on paper with a Shield watermark, m.151 on paper
Woodcut the complete series of title-page and nineteen plates, m.188 from the Latin edition of 1511, m.189-207 from an edition after text, good, evenly printed impressions, almost all on paper with a Fishbladder watermark
Woodcut the complete series of title-page and nineteen plates, m.188 from the Latin edition of 1511, m.189-207 from an edition after text, good, evenly printed impressions, almost all on paper with a Fishbladder watermark